Monthly Archives: May 2011

Rage Exclusive Hands-On Preview – How It All Works, The Authority, and E3

Rage is id Software’s unique new post-apocalyptic shooter and driving game. We get an exclusive hands-on look before E3.


Rage is the highly-anticipated, postapocalyptic action game that’s being developed by id Software, creator of Doom and Quake. This unusual game combines first-person shooter gameplay, racing, and exploration on a planet that was absolutely devastated by a falling meteor, but it wasn’t always clear exactly how the game would work. Until now. We recently had an opportunity to visit id Software’s new headquarters in Richardson, Texas to see for ourselves not only how the game is coming along, but also how you’ll progress over the course of the game. Please note: This story contains minor plot spoilers.

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Get more details on this unusual hybrid action game from the development team at id Software.

The E3 demonstration of Rage will consist of five portions of the game: “find buggy parts,” an early-game mission; Mutant Bash TV (we’ve covered this section of the game previously and found it to be a life-or-death game show reminiscent of the classic arcade game Smash TV); Dead City (the mutant-filled city we’ve also visited previously at last year’s QuakeCon event); the Authority prison, an all-new area we decided to explore extensively in this session; and “Dusty 8 Rocket Race,” a series of vehicle races.

Since we’ve seen most of the other areas and have also seen how some of Rage’s races work, we started with the early buggy mission to get a better sense of how the game begins, then spent most of our time playing through Dead City and the previously unrevealed Authority prison.

We began our session in the spacious office theater of id’s new offices, playing the Xbox 360 version of the game on a huge cinema-style screen (which we highly recommend as a way to play all games, if possible) with id creative director Tim Willits at our elbow to help walk us through the game (which we found to be more of a take-it-or-leave-it proposition). All kidding aside, the game’s creative director helpfully pointed out that Rage will be structured around the wasteland–a sizeable outdoor area that will provide many opportunities for exploration, but will also serve to guide you toward specific indoor missions, which id refers to as “instances.” Instances, Willits explained, will represent “more of the traditional id game experience,” with plenty of directed, close-quarters combat–though as we’ll explain later, Rage’s gun battles aren’t exactly the same as what you might expect from a Doom or a Quake game. In other words, throughout the game, while you’ll usually have the freedom to putter around the wasteland, you’ll generally always have somewhere specific to go on your to-do list.

Rage apparently starts with a basic tutorial area that runs through the basics of the game’s controls, as well as how to use a wingstick, one of the game’s most basic, low-tech thrown weapons. As we’ve explained in our previous coverage, this crude-looking and unassuming sliver of scrap metal acts as a boomerang when thrown, and will return to your hand if it has an unobstructed path back to you. However, against poorly-armored humanoid enemies, such as bandits and weaker mutants, a well-armed wingstick toss can be an instantly lethal attack that cleanly decapitates its target. With a couple of these in our inventory, we were ready to get started playing the game–just as soon as we took a moment to familiarize ourselves with the console interface.

Spend about three seconds poking around Rage’s interface and it’ll become pretty obvious that this isn’t just another arcade-style shooter that gives you 10 different guns and puts you on the hunt for health packs lying on the ground. Instead, pressing the select button (or back button, in the case of the Xbox 360 controller) opens up Rage’s multi-page inventory screen, which includes all items your character has picked up sorted by their purpose (whether they be crafting components, usable items, or junk items you can sell for cash). If you have even the slightest interest in exploring environments and poking around, you’ll pick up plenty of items as loot from fallen enemies, hidden valuables locked behind secure doors, or just remnants from before the world, as people knew it, came to an end. When we asked how much all this stuff would weigh down our character, Willits quipped, “I love [Elder Scrolls and Fallout 3 lead producer] Todd Howard, but I hate encumbrance.” Yes, even though the game’s exploration and loot discovery seems highly reminiscent of Bethesda’s Elder Scrolls games and Fallout 3, Rage won’t have any kind of inventory encumbrance system to slow you down.

In addition to quickly viewing all the items you’re carrying, Rage’s inventory menu also chronicles all your outstanding “jobs” (in-game quests you’ve taken), a huge list of stats (which chronicles your weapon use, enemies killed, and many other figures), and any and all crafting recipes you’ve picked up, such as for bandages (which are created by combining rags with antiseptic), wingsticks, and more-advanced items like exploding remote-control cars, stationary turrets, and spider robots–pint-sized, autonomous, eight-legged robots with built-in miniguns that automatically chase down your enemies without having to receive any orders. This inventory menu also lets you scroll through your weapons, which, in Rage, include the basic settler’s pistol, the combat shotgun, the semi-automatic assault rifle, the rocket launcher, the sniper rifle, a fully-automatic machine gun you pick up from the mysterious antagonists known as the Authority, and the “striker” crossbow–though weapon selection isn’t the end of the story, since most, if not all, weapons have at least two types of ammunition, and some have three or four.

While you start off with only the basic settler’s pistol, you can eventually pick up multiple ammo types that will let you really mess around with environments, and with your enemies. The striker crossbow, for instance, uses a basic crossbow bolt that silently deals piercing damage to its target, but it can also be equipped with electro-bolts that can both electrify pools of water, turning them into deadly traps, and can also neutralize the glowing tower shields that some Authority troopers use to absorb incoming fire. Later, you can even find mind-control bolts that briefly give you control of an enemy and let you walk it into a certain direction, such as towards other enemies, before blowing the enemy to bits with a concussive blast that damages other nearby foes.

Can you survive the wasteland and the attacks by the mysterious Authority?

You can use this inventory screen to manually equip different weapons and ammo types, but the console versions of the game will let you map four different weapons to a diamond-shaped, four-slot quick menu accessed by pressing your controller’s right-bumper (you can hold down the button, then use your right analog stick to choose a specific weapon, or repeatedly tap the bumper to swap to the next one). In addition, you can map up to four different usable items to a four-item quick menu by first assigning each one to the menu using the D-pad, then tapping the left bumper to use your currently selected item. It took a bit of practice, but we eventually got the hang of things.

Once we’d gotten our bearings, we ventured forth into this brave new world to pick up our first wingstick from the helpful members of the Hagar settlement–the residence of wasteland tinkerer Dan Hagar and his ragtag band of misfits. The early part of the game even has a simple shooting gallery mini-game to acquaint you with using the wingstick (which again, when equipped, can be tossed with a quick tap of your controller’s left bumper), but quickly scoots you out into the desert on your first mission with a word of advice–seek out as much valuable feltrite (the mysterious metal from the asteroid that nearly destroyed the earth) as possible.

This was also when we received our first set of wheels, the all-terrain vehicle–a light four-wheeler that has no weapons, but does have a peppy little engine. Thankfully, while you’re exploring the wasteland, Rage has a mini-map in the upper-right corner of the screen that points out the direction of your next objective. We decided to completely ignore the objective in favor of following Willits’ lead to visit a nearby vendor who had staked out a spot above a sewer, beneath which bandits had been sighted. We didn’t have a chance to go underground, but we did browse the old man’s inventory for interesting stuff to buy or sell, and found that he had several crafting recipes and some basic types of ammo.

This here spider bot has a mounted cannon and will stick to your enemies until it’s dead…or until they’re dead.

We didn’t find anything worth buying, so we hopped into the wasteland for a bit to take in the sights. All of Rage’s environments will be created using id Software’s much talked-about megatexture technology, which can adorn huge swathes of land (or highly detailed indoor environments). These textures are built with a process that id informally refers to as “stamping,” though the nickname is pretty much shorthand for “texture art.” Because the human eye can easily pick up on repetitive tilesets, id is hand-stamping all of Rage’s environments with detailed megatextures that allow for rocky terrain with differing heights, rock clusters, smoking craters, and scrub vegetation. And with the exception of the vegetation, the majority of the environmental features gets rendered in as part of the actual, single megatexture, rather than as a separate object or texture map, which lets the game use your console’s or PC’s processing and graphics power to render out a lot more in the way of interesting environmental geometry and effects, as well as to let you explore the wasteland without hitting a loading screen until you enter a settlement or mission instance.

We poked around the desert canyons near the starting area and found a few of the game’s secret jumps–which are indicated by floating blue beacons placed the mysterious Authority faction–though our underpowered ATV didn’t really have the chops to make any of them. Willits explained that id’s world builders had already been sneaking challenging vehicle jumps into the game’s environments, so the team decided it might as well formalize the deal by marking each one with a beacon, and offering an in-game achievement (or trophy, for the PS3 version) to ambitious players who go after them all.

We then entered our first mission–clearing out a group of bandits known as the “Wasted Clan” in order to retrieve Dan Hagar’s supplies for delivery. The bandits themselves were holed up in what appeared to be a bombed-out apartment complex that we approached very cautiously, since we were equipped only with a shotgun, a pistol (with standard bullets and some extra “Fatboy” rounds, which are especially damaging), and our fists. Making the initial approach wasn’t that bad–as we clambered up and around the torn-up fire escapes and half-melted road signs that led into the building, we were attacked only by one or two raiders at a time, and these guys had only simple clubs or pistols. Better still, several of them weren’t even wearing headgear. Many of Rage’s enemies wear helmets which help them shrug off small-arms fire unless you can pluck off their helmets with a clean hit–and removing enemy helmets is, of course, crucial if you’re looking to score a fatal headshot. (And these days, who isn’t looking for headshots?)

Once we got into the bandit complex, things got much more interesting. There were plenty more bandits arranged in small groups, and the base itself consisted of small rooms with scattered cover that was much less reminiscent of Quake or Doom, and much more like of close-quarters combat in modern shooters like Call of Duty, and even vaguely reminiscent of the claustrophobic gun battles of the latter-day Resident Evil games, namely Resident Evil 4 and Resident Evil 5. Many of the bandits were bonkers crazy and would pause just long enough to light their cudgels on fire before charging at us with them, which gave us the chance to whack them to death with a melee attack. However, several of the others did try to use cover and would also call for help the moment we revealed ourselves by blundering into view or by opening fire.

Fortunately, the wingstick is considered a silent weapon, and once we realized we could obscure ourselves by crouching under some cover of our own to get a clear shot, we stealthily decapitated a few of the raiders before picking off the rest of them with gunfire. Interestingly, while fighting our way through the base, we not only looted the bodies of our fallen foes for extra ammo, but we also picked up piles and piles of other stuff–plenty of saleable junk, like empty beer bottles and stale food supplies, and actual useful items like bullets and crafting ingredients, including just enough in the way of transistors and gears to build a lock grinder item–the game’s version of a one-use lockpick. Lock grinders don’t require any kind of Fallout 3-like mini-game–just equip one as your quick item and use it on the nearest locked door, like we did, and the grinder will automatically open it up. In this case, our tinkering was rewarded with a bandit cache of extra ammo, grenades, and bandages.

Willits pointed out that while looting this little ammo dump, like many of the game’s hidden treasure troves, isn’t required to complete the game, there will be many other secret rooms for enterprising players who take the extra time to explore. Among all the trash and treasure, we also picked up an extra card to add to our playing deck. Yes, Rage will have an in-game collectible-card mini-game, not unlike the pazaak mini-game in the Knights of the Old Republic series, or the triple triad games from Final Fantasy. Each card in your deck will have a major character or enemy type listed on it, and can be added to or subtracted from your play deck. You’ll be able to whip out your deck at various saloons throughout the game to play with certain gambler characters to earn cash. Willits explained that some players may definitely want to step up to the card table to win money the easy way since higher-end vehicle upgrades can get very expensive–but the game itself, while including some strategic elements reminiscent of Magic: The Gathering, will primarily be a fun little distraction, rather than an amazingly deep experience.

Like exploration? Try to find all of Rage’s hidden vehicle jumps.

After cutting down the last of the bandits, we collected the supplies and skipped ahead to our delivery destination–the town of Wellspring, one of the game’s two major settlements (the other being Subway Town, which appears much later in the game). Once you enter the town, you can freely explore the area, casually sauntering through any unlocked door to enter any unsecured building without hitting a single loading screen. It was here that we met with the game’s two primary quest givers–the sheriff and the mayor. Depending on whose side you take, you may end up picking different missions in different order, and from the sound of things, the mayor’s a bit more demanding and will send you into rougher territory sooner.

Wellspring is also, as we’ve mentioned in our previous coverage, the first place that will give you access to a vehicle garage that stores all your vehicles, and is also the first place that offers sanctioned vehicle racing, where the prizes are vehicle certifications that can be traded in for various upgrades. As you run various errands in Wellspring for different contacts you’ll come to work with regularly, you’ll also make an important, one-time decision about what type of “suit” your character will wear–the roughneck suit, which provides an armor bonus; the wastelander suit, which provides a 5% discount when purchasing items from vendors; or the fabricator suit, which provides a crafting bonus.

Of course, the reason you need to slip into something a little more comfortable–permanently–is because your character starts the game wearing an “Ark suit”–a garment that identifies you as the survivor of an underground “Ark” structure that was specifically built to house test subjects like you. And the Authority, the mysterious antagonists of the wastelands, wants you and every other Ark survivor like you, not just because of your spiffy Ark suit, or because of the defibrillator built directly into your heart–but because your character’s bloodstream is full of microscopic nanotechnology that holds the key to dominating the world.

Bandits are just the beginning of your problems.

After exploring Wellspring for a bit, we skipped ahead to a later part of the game to meet another key character, Dr. Kvasir. The good doctor is actually in cahoots with Elizabeth Cadence–these two were apparently the architects of the research that went horribly wrong and resulted in the spread of mutants throughout the wasteland. (Though Kvasir only appears as a kooky old man in the actual game, the story behind these characters’ research will apparently be explored in a three-issue comic book series published by Dark Horse.) In this later part of the game, the elderly doctor, wearing a biohazard suit fitted to a crane that carries him to and fro above his laboratory’s gigantic reactor, examines a feltrite sample your character recovers, then gives you a once-over as well. The scientist pronounces that your character’s built-in defibrillator is simply too weak to handle the harsh life of the wasteland, and will need to be upgraded with parts from the major hospital where he and Cadence used to work. The location of that hospital: Dead City.

Dead City is an appropriately creepy, ruined metropolitan area shrouded in thick fog and silence. We entered the area knowing we’d most likely encounter the enormous, six-story mutant we’d seen in previous demonstrations, but fortunately, since we skipped ahead to a more-advanced savegame, we also had an inventory full of weapons. As we made our way down the ramp of rubble that leads into the city, we were beset by smaller mutants wearing rags and wielding knobby clubs. These critters were fast and difficult to draw a bead on, but weren’t anything we couldn’t handle. At least, not until we got to the floor of the city, where we were ambushed by a ten-foot-tall mutant that was carrying a heavy mini-gun in its right hand, and had a slimy, harpoon-like tentacle for its left hand. This massive beast alternately pelted us with rapid fire, slapped us in the face with its whiplike tentacle (leaving a huge, opaque smudge of slime on the screen that prevented us from seeing what was going on), and came charging right at us to knock us flat on our backs.

Suddenly, the swarms of annoying, club-wielding mutants became much more of an issue, since they mobbed us mercilessly while we were backpedaling for our lives away from our larger foe. We eventually ended up pulling out our characters rocket launcher and emptying it out to bring the beast down–by the time it keeled over, we had barely survived the battle ourselves. We then made our way into the heart of the city, whose ruined courtyards recalled the later minigun battles of Resident Evil 4, and whose shattered escalator lobbies recalled the abandoned subways of Fallout 3. The further we got into the area, the more infested it became–the door to the very bottom of the city was overgrown with a pulsating, fleshy growth and guarded by a crazed mutant with glowing green skin. As if that hadn’t been a clear enough hint that things were about to get much worse, just after we made our way through the doorway, we encountered the enormous six-story-tall gigamutant just around a corner–and that’s where the Dead City demo ended.

We then skipped ahead to the Authority Prison, a high-tech dungeon in which our mission was to rescue an officer in the resistance movement that actively opposed the Authority, one Captain Marshall. We started the mission at the prison’s entrance, which was guarded by a few scattered Authority troopers, whose heavy armor and even heavier electronic tower shields were alarmingly resistant to basic small-arms fire. Up until you finally encounter them (and it won’t be for a while), you simply won’t have seen any enemies like them. Unlike the wasteland’s ragged bandits and primitive mutants, the Authority is equipped with extremely high-end equipment, including the Authority machine gun, a fully automatic rifle whose blistering rate of fire and surprisingly solid accuracy make it one of the best bread-and-butter weapons in the game. While we had a machine gun of our own (and many other weapons and items in our inventory), these soldiers were extremely tough customers that cut us down more than a few times.

We should point out that in Rage, your character automatically regenerates lost health when not taking fire–just like in many modern shooters–which means that you won’t really need bandages in your inventory unless you’re on death’s door and still being shot at. And even then, death in Rage isn’t the end of the line–instead, it prompts a controller-based mini-game that requires you to twist your analog sticks in certain predetermined directions (following the onscreen prompts) to kickstart that defibrillator in your chest. The more quickly you respond, the more stick prompts you get, and the more correct stick prompts you enter, the more health you’ll recover after your heart starts pumping again and brings you back to the land of the living.

After we died a few times (we’ll blame our deaths on a bad case of jet lag, thank you very much), Willits graciously took over the controller to show another way to play the game. The creative director made his way down through the prison to finally find Marshall, who joined us temporarily as a non-controllable companion after we freed him from his cell. Unfortunately, as soon as the officer was released, more Authority soldiers flooded the cell block. But instead of repeatedly running, gunning, and falling over full of lead, as we had, Willits opted to take cover behind a small pile of rubble and start using a whole bunch of Rage’s deployable items. Setting up a turret in the center of the corridor helped provide initial cover fire that forced the Authority troops themselves to stop charging and find shelter themselves.

Sooner or later, you’ll run into the Authority. And they don’t mess around.

With the enemy pinned down, Willits was able to either toss electromagnetic pulse grenades (which neutralize Authority shields) or send out a few of the game’s exploding RC cars, which switch your view to a third-person perspective that follows the tiny vehicle. In addition to being useful for navigating small nooks and crannies, these little bombs on wheels can also be detonated manually, so the designer wasn’t bashful about tossing one out, ramming it right into the ankles of an Authority soldier, and immediately setting the device to blow up (and take out its target in the process). Once the designer had the enemy down to two stragglers, he was able to get fancy by using the crossbow’s alternate ammunition to rewire the brain of one of his foes to turn around and shuffle, zombielike, towards the other Authority grunt, then detonate the mind-controlled soldier like a walking bomb, cutting down both enemies immediately.

While it’s easy to find Rage’s expansive and seamless environments impressive, what’s really impressive is the game’s variety. There will be a whole lot more stuff to do in this game than in any other id Software game to date, including racing, exploration, crafting, and quests. Even the game’s combat has a different look and feel. We saw exactly zero of the old narrow-corridor shootouts of Doom III and Quake IV. They seem to have been replaced by indoor and outdoor battles that offer full or partial cover against smart enemies that back each other up and take refuge when you open fire–and even though you’ll have backup from time to time, the game’s numerous deployable items will give you tons of options in battle that will let you be your own army of one. Driving, shooting, questing, crafting, exploration–Rage clearly has a lot to offer. And it’ll finally launch later this year.

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Rage Exclusive Hands-On Preview – How It All Works, The Authority, and E3” was posted by Andrew Park on Tue, 31 May 2011 16:42:55 -0700

Rage: the Authority Explained E3 2011 Interview

Find out who the Authority are in id software’s much anticipated next game Rage.


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Rage: the Authority Explained E3 2011 Interview” was posted by takeshi on Tue, 31 May 2011 16:42:32 -0700

THQ rebooting WWE franchise

Publisher confirms overhaul to annualized pro wrestling simulation emphasizes animation and gameplay; rebranded WWE ’12.


THQ has been fairly clear that changes are afoot with its decade-old wrestling simulation WWE SmackDown vs. RAW franchise, telling GameSpot last month to expect details at this year’s Electronic Entertainment Expo. With that show kicking off next week, THQ today drew back the curtain on its plans, the least of which being a rebranding of the franchise’s long-winded moniker.

THQ telegraphed its WWE reboot. Randy Orton knows what to do.

THQ will be releasing this year’s installment in the pro wrestling sim under the name WWE ’12. In an interview posted to the game’s website, Yuke’s creative director Cory Ledesma said that the name change is indicative of a greater reboot for its WWE franchise, one that involves incorporating new technology and refining gameplay.

“WWE ’12 is far from just a name change,” he said. “Our goal has been to create a brand new experience with a new, high quality animation system, a new renderer and a new strategic gameplay experience that will look, feel and play substantially better than its predecessors. When you play the game, you’ll notice right away that you’re spending less time on the mat mashing buttons and more time enjoying the action with a faster paced gameplay flow, simpler game controls and the most fluid and realistic animations the game has ever seen.”

“This is a true franchise reboot and not just a name change,” he continued. “It’s also an investment toward the future of the franchise, giving us the opportunity to use our new technology to push the game to new heights never seen before.”

Ledesma indicated that this updated tech includes new animation that enables added gameplay possibilities, such as interrupting wrestlers special moves. However, the creative director emphasized that the studio isn’t starting from scratch.

“I’ve just felt for a couple of years now that the franchise has been getting stale and in need of a reboot. Not just with the name but also with the game experience,” he said. “The technology group at Yuke’s Yokhama has been secretly working on the technology and its implementation while we’ve been working on the game the last two years. We are now at the point where we can integrate it into the game.”

“Now, we aren’t changing the game entirely or completely ripping everything out to start over,” he continued. “That wasn’t the goal. What we are doing is taking the basic essence of what is good in the past games and making a new experience that feels fresh, fun, responsive, faster, smoother and is of higher quality.”

THQ expects to have WWE ’12 on hand at this year’s E3. GameSpot will have more information on the game as soon as it’s available.

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THQ rebooting WWE franchise” was posted by Tom Magrino on Tue, 31 May 2011 16:23:35 -0700

GameSpot Sync – CoD Elite, Bodycount, Starcraft II

Jody syncs you up with news of CoD Elite, new DS Lite price point, Bodycount, StarCraft II and more.

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GameSpot Sync – CoD Elite, Bodycount, Starcraft II” was posted by DanM on Tue, 31 May 2011 16:00:00 -0700

Sega competing in London Olympics 2012

Publisher bringing licensed international sporting game featuring 30+ events to 360, PS3 next year.

Mario and Sonic won’t be the only team Sega will be fielding for the 2012 Olympic Games. With its Nintendo collaboration headed to the Wii and 3DS, Sega announced plans today to commemorate next year’s international sporting event with London 2012 – The Official Video Game of the Olympic Games. The game is slated to arrive for the Xbox 360 and PlayStation 3 in 2012.

London’s calling next year. Sega will be ready.

Sega holds exclusive rights to publish games based on the Olympic Games, and this year’s installment will see gamers transported to a virtual London to compete in more than 30 events. The publisher provided no additional details on which events gamers can expect. However, Sega did say that this year’s installment will include more variety, as well as online leaderboards.

Whereas British studio Eurocom handled development duties on Vancouver 2010, Sega has tapped Sega Studios Australia (formerly The Creative Assembly Australia) for London 2012. In particular, the publisher touted Sega Australia’s motion-capture facility.

The actual 2012 Summer Olympic Games are scheduled to take place in London from July 27 to August 12. For Sega’s Vancouver 2010, the publisher launched the game a full month before the official games began.

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Sega competing in London Olympics 2012” was posted by Tom Magrino on Tue, 31 May 2011 15:21:13 -0700

L.A. Noire DLC spree begins today

Rockstar offering two new cases, free and premium in-game items starting today; two final crimes planned for June, July.


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L.A. Noire DLC spree begins today” was posted by Tom Magrino on Tue, 31 May 2011 14:13:46 -0700

Tales of Xillia Screens

63 new shots posted.


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Tales of Xillia Screens” was posted on Tue, 31 May 2011 14:00:01 -0700

Metro: Last Light Screens

5 new shots posted.


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Metro: Last Light Screens” was posted on Tue, 31 May 2011 12:46:54 -0700

THQ catching Metro: Last Light in 2012

Publisher confirms 4A Games’ postapocalyptic survival horror shooter will emerge on 360, PS3, PC next year; new trailer inside.


THQ has been talking about a follow-up to 4A Games’ postapocalyptic shooter Metro 2033 since last June, but only just now is the publisher beginning to open up about the title. Today, THQ officially announced Metro: Last Light, saying the follow-up to Metro 2033 will arrive for the Xbox 360, PlayStation 3, and PC in 2012.

As 2034 dawns, Earth remains in a sad state of affairs.

Though initially operating under the working name Metro 2034, the game’s Last Light subtitle was unearthed by Superannuation last month. However, as the working title suggested, Metro: Last Light will be set during the year 2034. With mutants lurking the subway catacombs following a postapocalyptic disaster, humanity finds itself waging war against itself to gain control of a doomsday device that could end life forever.

Gamers will once again be afforded a variety of improvised weapons to fend off the mutant hordes and rival Metro factions. However, firearms and ammunition will be scarce, as the game emphasizes both survival horror and first-person shooter gameplay. Beyond its single-player mode, Metro: Last Light will also incorporate a competitive multiplayer mode set within the game’s subway catacombs.

For an idea of what to expect, check out GameSpot’s review of Metro 2033, as well as Metro: Last Light’s teaser trailer, below.

[ Watch Video ]

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THQ catching Metro: Last Light in 2012” was posted by Tom Magrino on Tue, 31 May 2011 12:06:57 -0700

Sound Byte: Play for Japan: The Album

Help raise money for the Japanese Red Cross by buying some awesome music from composers across the video game industry.


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Sound Byte: Play for Japan: The Album” was posted by Sophia Tong on Mon, 30 May 2011 01:19:25 -0700